Beginning Painting Supply List

Supply List Palette Knife Workshop / Beginning Painting

For questions  email dawn@dawnart.com

Bring what you have but this is what you need for class. 

I prefer working in oils because my mixture will stay wet for the class. Acrylic will  dry quickly  so you will need to keep them wet with water or a retarder.

Here is a list of suggested colors. But bring what you have. I like to have cool or neutral yellow, a warm blue, and a cool red and blue. Sap Green, Yellow Ochre, and Burnt Sienna are just great to mix with. 

** See more about pigment codes below*

  • Pick a cool Red - Alizarin Crimson Pigment code PR83, or Permanent Rose Pigment code PV19 (primary).
  • Pick a cool or neutral Yellow - *Cadmium Yellow Light, PY 35 or PY3, or Hansa Yellow PY 74 ( I use Hansa Yellow from Utrecht )  * Most Cad yellows have the same code PY35. Make sure to open the tube  and check to see it doesn't have an orange tint. Same name and pigment code Cad Yellow - but some are neutral and some have too much red. You can always add red, but you can’t take it out* 
  • Pick a Cool Blue -  My favorite is  Phthalo Blue Green Shade PB 15 (primary),
  • Cerulean Blue Chromium PB36. Prussia Blue, Manganese Blue – Just fine
  • Titanium white   5OZ Tube(Opaque wihte)
  • Yellow Ochre PY 42, or Yellow Oxide, either will be fine will be fine. (Great for Mixing)
  • Sap green or any warm green  (mixture & great for mixing)

Optional colors to add later  Naphthol Red or Cadmium Red or hue, an orange,  Dioxide Purple  - great for mixing

  • Beginning brush kit with a mix of bristle and soft brushes is an easy start. I have a photo below.
  • 9 x 12, 12 x 12, 12 x 16 Canvases or panels or larger (panels work better for palette knife, but canvas is fine for all other classes) Bring extra panels or canvas pad for practice
  • Acrylic and oil disposable Palette Pad 16x20 . You can use a roll wax paper
  • Paint medium to help base coat your canvas and block in color. I fill a flip top bottle (think small dish liquid bottle) with 80% Liquin  and 20% Damar Varnish to thin and speed the drying for oils. if you are working in acrylics use Liquitex glazing medium and water Great for base layers
  • Odorless mineral spirit and a sealed container for cleaning brushes. There are several Eco friendly products out there now as well
  • Sketch pad
  • Pencil
  • Roll of paper towels 
  • Palette knives  plastic or metal- the plastic 5 pack at Binders is great for beginners ***If just buying one similar to the image below
  • For iPhone and iPad users, here my favorite app Accuview https://itunes.apple.com/us/app/accuview/id407578464?mt=8

**Where do you find the pigment codes and what does it tell me? 

Manufacturers are free to give their art supply colors whatever name they deem appropriate. Different manufacturers give different names to the same color, even if the same  pigments are used. Therefore, names may vary from one brand to another.I tend to buy single pigments except for color that I mix all the time. If love a mixture that I don’t want to buy, often the codes on the back will tell me how to mix it myself. Also, I like working with a lot of transparent colors. You can always add a touch of white to make them opaque.

Alizarin Crimson PR: 83 (single pigment)

  • PR: 83 – The first letter Identifies whether a pigment or a dye is used. Here the P indicates that a pigment is used.
  • PR: 83 – The second letter identifies the pigment code. Here, the pigment code stands for red.
  • PR: 83 – The number indicates the specific pigment number.

Sap Green PG7, PY75, PBk9 (mixture of three pigments)

I hope this help you get started and get in touch with any questions 

Join Us For Next Year at The Parker Ranch

Join un in Clayton for the next painting retreat and you can be painting right here on the river!

Still time to sign up Plein air at Parker Ranch

3 Day Retreat $75 Plus Lodging   May 4 - 6  Friday -  Sunday

Stay together, paint together. The Parker Ranch  in Clayton, GA is a cozy gathering place and a place I go back to year after year. 

Painting Retreat $75

Stay together, paint together. The Parker Ranch  in Clayton GA is a cozy gathering place. The owners, Becky and Paula have hosted my plein workshops several times and they always out do themselves to make sure everyone is comfortable.
 

 Working from the landscape is such a great way to improve your paintings, but it can be overwhelming when just starting out.  I'll help you with tips and tricks to setting up and how to find your focus. This is a painting retreat with a loose structure and limited instruction. I will be available to give advice as you paint or you can strike out on your own.  This year, I would love for us to hit the town of Clayton for a night painting as well. ( optional - but fun!!) I love the energy working outdoors brings to my paintings and I think you will too.
Retreat Times
 2 - 6 Friday,  10 - 5 Saturday,  10 - 2:30  Sunday (optional night painting on Friday or Saturday ) 

 

Join me for a relaxing weekend painting  and camaraderie in the beautiful North GA  mountains.
Cost - $75 for the retreat pay here  and $140 for a single room/ $70 shared room a night for the rooms - reserve with Becky at Parker Ranch and pay her directly.  Becky Hoover  becky@parkersranch.com   
http://www.parkersranch.com
404-373-0566

Retreat Includes daily tips in the field as needed, nightly critique, and social hour with wine and cheese. Breakfast each morning is provided by the Ranch with your reservation. 

Deadline to sign up is April 2nd.

Room arrange should be made through Becky at the Parker Lodge
Becky Hoover  becky@parkersranch.com   
http://www.parkersranch.com
404-373-0566

You can request a private or shared room.

What's not included:
Lodging
Lunches and dinner
Painting supplies

Supply list

This is a rain or shine event. Bring photos to work from just in case we have bad weather. There are plenty of covered porches we can paint from as well

Here is a link  to a great post from fellow artist Lori Putman with tips for flying with you paints.
http://www.loriputnam.com/blog/taking-flight-tips-for-the-winged-artist/

** I have a few extra plein air easels if you are new. Just let me know right away if you need one.

Find out more HERE
Deadline to sign up is April 2nd.

Other Classes and Workshops


For more info, check out  my  Classes page. 

Hooray for spring!
Dawn

Get the most out of your paintings

Techniques class 1 Recap

By taking the time to work out your design and values before hitting the canvas can make the experience more enjoyable and result in a better painting. If you haven't decided where you are going with the painting or what are the most important elements, you can spend most of your painting time trying to work through all that and it will show.

Here is a recap of what we covered in class today. Working from a photo, create as many gesture sketches as needed until you are happy with the design. These need to be fast and are meant to help you work through your ideas about the composition. Make as many adjustments as you need. Next step, create a value painting using black, gray, and, white. By taking away the color in a study, it's much easier to see what is going on in the painting. Again, make any adjustments to make a stronger painting.

In this example, I am working from several different photos.

Below are my initial gesture sketches.  The wagon is the focal point and the house is just the back drop. But in my first sketch the wagon is a minor player. I switched to oil pastel and tried agin. It wasn't until the 4th one, I came up with something I liked. I finally made the wagon the major part of the painting. I was able to work through this in about 30 mins. That's the beauty of a rough drawing, just keep tossing them out until you get a good one.

Gesture sketches for wagon painting

Next week  - block in the painting with color. 

I often will do this step in acrylic so that I can make quick adjustments before starting with the oils. When you"re happy with the overall design and color palette,  it's time to paint!

Blocking in color for wagon painting

All of this took under and hour, and the time and struggle it will save for the rest of the painting will be well worth it. 

We will work on blocking in the color in next weeks class.

Second week making color notes.

Below you can see  the next steps. Making color and value decisions. 

Until then - have a great week!

Dawn

Hope to see you out there.

Happy fall, Dawn

DIY Palette Box and Wet Panel Carrier

As I am getting ready for the 3 day painting retreat at The Parker Ranch in Clayton, I thought I would share this earlier post on how to build a palette box. If you are handy, it's nice to make your own! - Dawn

In a recent Plein air workshop, one of the students asked me to share how I made my palette box and wet panel carrier. Of course I've had that on my to do list for months, but that was the motivation I needed to get my to sit down and work on it.

A portable palette box and wet panel carrier for plein air

I typical paint 12 x 16 when working plein air, so I made the bottom of the box large enough to hold that size once I put the sides on. 13x 17 plus the handles.  Once I had the back cut out, I cut out the space that will go around my tripod. I used the jigsaw and drill with a spade bit to make this cut.

Now I have base of the palette box, I made the sides. I used  1/2 inch oak for this and cut them to size using the miter saw. Next I cut a block to bring the handle up to the same height as the sides. Now I put an adjustable bracket on the handle that will hold it on to the tripod.

This is a close up of the handle.  I mitered the top piece so that it can easily slide on to the tripod and the tension will hold the box in place. Also, it can be adjusted if I ever change tripods. 

Time for the folding shelves. I made two sides for the shelves first to make sure I had the measurements right, then cut the panels to make the tops. Glueing and nailing them to the frames

Okay ready for the hinges. I ran four small hinges down each side. 

Here's the completed box. I put blocks on the back as well with enough open space for me to guide the panels in. I have clips on the sides that will hold the panels in place.  It will hold 2 panels facing each other with plenty of space between them to keep them from touching. 

I also stapled elastic to the sides, that holds my palette knives, brushes and small tubes of paint. Then put mirror hangers on the sides and attach a shoulder strap and voila!!

Okay, there you have it. I hope it's helpful  

Thanks Megan for motivating me to actually do this. Let me know if you have any question!